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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Japanese fashion as social resistance ： ウィキペディア英語版 Japanese fashion as social resistance Following the old Japanese adage of “the nail that sticks up gets hammered down” (でるくぎはうたれる derukugihautareru), the Lolita (ロリータ roriita) and Ganguro (ガングロ) fashions have been met with much disdain as marginal subgroups of Japanese culture. Clothing is one of the easiest ways to differentiate oneself in Japanese society, and even though Ganguro is much more overt and shocking in this expression and Lolita has somewhat more subtle methods, both harken to Western ideals of attractiveness, with Ganguro girls evoking the California girl or the black hip-hop aesthetic and Lolita calling upon Rococo, the Victorian era, and Edwardian era in Western Europe. This is directly in conflict with nationalism and the homogenous image in Japan. Looked at more closely, this sort of dress could bring shame upon the family because there is too much attention being drawn to the child, and can conflict with ideas of conduct, social roles, and rebellion within Japanese filial piety (おやこうこう oyakoukou) and Confucianism, both of which are major parts of the structure of Japanese society. There has been some speculation that these fashions are expressions of psychological discontent, a way of finding groups that are accepting emotional outlets, of receiving attention, as well of expressing resentment in the face of neglect at home from busy working parents or isolation, bullying, and stress at school. ==Ganguro== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Japanese fashion as social resistance」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.